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  • Digitally enhanced image "Life before death, strength before weakness, journey before destination." The First Ideal from stormlight
    IR_f_life-before-death-3.jpg
  • Digitally enhanced image "Life before death, strength before weakness, journey before destination." The First Ideal from stormlight
    IR_f_life-before-death-4.jpg
  • Digitally enhanced image "Life before death, strength before weakness, journey before destination." The First Ideal from stormlight
    IR_f_life-before-death-1.jpg
  • Journey to South America frontispiece 1839 hand coloured sketched From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 4th volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-American-Mammals_0009.jpg
  • Famous humourous quotes series: A bus station is where a bus stops. A train station is where a train stops. On my desk, I have a work station.
    IR_Enjoy the Journey 616d71.jpg
  • Famous humourous quotes series: A bus station is where a bus stops. A train station is where a train stops. On my desk, I have a work station.
    IR_Enjoy the Journey b3724b.jpg
  • Scene at a Sleeping Place in Angola. Meat drying in the sun. Tree Euphorbias and Palm-Oil tree. From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0045.jpg
  • Title Page From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0011.jpg
  • Skull of an Aymara Indian from Monecas, Bolivia (Top) and Skull of an Aymara Indian from Lake Titicaca Bolivia (Bottom) hand coloured sketched From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 4th volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-American-Mammals_0425.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f633.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f537.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f501.jpg
  • Map of South Africa showing Dr. Livingstone's Route From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0413.jpg
  • Map of South Africa showing Dr. Livingstone's Route From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0409.jpg
  • The Traveling Procession interrupted From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0277.jpg
  • Female Elephant pursued with Javelins, protecting her Young From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0243.jpg
  • Boat capsized by a Hippopotamus robbed of her Young From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0175.jpg
  • Female Elephant pursued with Javelins, protecting her Young From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0243-crop.jpg
  • A few of the Rocks of Pungo Andongo [Angola] with the Makololo party passing From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0094.jpg
  • From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0063.jpg
  • Ancient Spinning and Weaving. From Wilkinson's ' Ancient Egyptians ' From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0070.jpg
  • Portrait of Reverend David Livingstone From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0008.jpg
  • Machine Colourized (AI) Portrait of Reverend David Livingstone From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0008-color.jpg
  • Skull of a Puelche Indian from Rio Negro, Patagonia (Top) and Skull of a young Aymara Indian from Bolivia (Bottom) hand coloured sketched From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 4th volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-American-Mammals_0423.jpg
  • Ancient Inca or Quechua vases from Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0609.jpg
  • Ancient Inca or Quechua vases from Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0611.jpg
  • Ancient Inca or Quechua vases from Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0605.jpg
  • Ancient Inca or Quechua vases from Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0607.jpg
  • Ancient Inca or Quechua vases from Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0603.jpg
  • Ancient Inca or Quechua vases from Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0601.jpg
  • Ancient Inca or Quechua vases from Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0599.jpg
  • Ruins of an Inca temple, on the Island of Coati, Lake Titicaca, Bolivia, sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0593.jpg
  • Ruins of an Inca temple, on the Island of Coati, Lake Titicaca, Bolivia, sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0595.jpg
  • Antiquities of the Quichuas [Quechuas] and Aymara of Bolivia. sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0589.jpg
  • Antiquities of the Aymara Indians of Bolivia. sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0591.jpg
  • Antiquities of the Quichuas [Quechuas] or Incas of Bolivia. sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0587.jpg
  • Head of a colossal statue. Aymaras ruins at Tiaguanaco near La Paz. (Bolivia) [Tiwanaku (Tiahuanaco or Tiahuanacu) is a Pre-Columbian archaeological site in western Bolivia near Lake Titicaca and one of the largest sites in South America.] sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0585.jpg
  • Monolithic portico of an ancient Temple of the Aimara (Aymara) Nation in Tiaguanaco, Bolivia [Tiwanaku (Tiahuanaco or Tiahuanacu) is a Pre-Columbian archaeological site in western Bolivia near Lake Titicaca and one of the largest sites in South America.] sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0581.jpg
  • View of the ruins of the ancient monuments of Tiaguanaco. Near La Paz. (Bolivia.) [Tiwanaku (Tiahuanaco or Tiahuanacu) is a Pre-Columbian archaeological site in western Bolivia near Lake Titicaca and one of the largest sites in South America.] sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0577.jpg
  • Aymaras Antiquites at Tiaguanaco, Bolivia [Tiwanaku (Tiahuanaco or Tiahuanacu) is a Pre-Columbian archaeological site in western Bolivia near Lake Titicaca and one of the largest sites in South America.] sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0579.jpg
  • Tomb of an Aymara chief. Carangas, Bolivia. Hand sketched landscape From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0575.jpg
  • Plan of an ancient gold wash of the Incas or Quichuas Located on the top of the mountain called Fuerte del Inca near the village of Samaypata, province of valle grande, Department of Santa Cruz de la Sierra (Bolivia) From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0571.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f625.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f595.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f585.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f553.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f547.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f515.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f487.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f481.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f439.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f463.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f401.jpg
  • Group of native women under the Mokolane Palms [Hyphaene petersiana, the real fan palm or makalani palm] From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0085.jpg
  • Scene in Angola The Masheela or Angolese Palanquin coming to rest under a Baobab and Euphorbias. From book ' Missionary travels and researches in South Africa : including a sketch of sixteen years' residence in the interior of Africa, and a journey from the Cape of Good Hope to Loanda, on the west coast, thence across the continent, down the river Zambesi, to the eastern ocean ' by David Livingstone Published in London in 1857
    IR_f_Livingstone-3_0035.jpg
  • Mummies of the ancient Aymaras of Bolivia sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0597.jpg
  • Details of the Monolithic portico of an ancient Temple of the Aimara (Aymara) Nation in Tiaguanaco, Bolivia [Tiwanaku (Tiahuanaco or Tiahuanacu) is a Pre-Columbian archaeological site in western Bolivia near Lake Titicaca and one of the largest sites in South America.] sketch From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] 3rd volume By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault et c.e ... ;1835-1847
    IR_f_South-America-1_0583.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f607.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f527.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f521.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f417.jpg
  • Isasondo, près Tolosa (province de Guipúzcoa) [Isasondo, near Tolosa (province of Guipuzcoa)] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0778.jpg
  • La Tour Penchée (Torre Nueva), a Saragosse [The Leaning Tower (Torre Nueva -  New Tower), in Zaragoza (Saragosse)] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0733.jpg
  • Chateau de La Granja (San Ildefonso), pres Ségovie [Chateau de La Granja (San Ildefonso), near Segovia] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0643.jpg
  • Contrebandiers de la Serranía de Ronda [Smugglers from the Serranía de Ronda ] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0282.jpg
  • Europe, Spain Close up of a chilled glass of white wine. Old farmhouse now hotel in the background
    GC_20070719-DSC_0140.jpg
  • Madrid, vue générale [Madrid, General view] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0573.jpg
  • Les rochers d'Aumalluch (Majorque) [The rocks of Aumalluch (Mallorca)] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0795.jpg
  • Le marché, a Vitoria [The market, in Vitoria] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0770.jpg
  • Les mendiants dans l'escalier de la fonda [The beggars on the stairs of the inn] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0711.jpg
  • Maragato, marchand de chataignes [chestnut merchant of Maragato (Maragateria) ] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0693.jpg
  • Les peupliers de la campagne de Léon [The poplars of Leon's countryside] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0681.jpg
  • Deux guardias civiles (gendarmes), route de Salamanque a Zamora [Two civil guards (gendarmes), on the road from Salamanca to Zamora] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0669.jpg
  • Enterrement d'un paysan, près Zamora [Funeral of a farmer near Zamora] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0661.jpg
  • Ségovie- la Cathédrale [The Cathedral of Segovia] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0647.jpg
  • Ségovie- l'Alcazar et la Cathédrale [Segovia- the Alcazar (Moorish Castle) and the Cathedral] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0645.jpg
  • Étudiants de la tuna donnat une sérénade [Tuna students serenading] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0639.jpg
  • Étudiants de la tuna voyageant avec des arrieros (muletiers) [Tuna students (Musicians) traveling with arrieros (mule drivers)] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0637.jpg
  • Le Palacio Real, a Madrid [The Royal Palace, in Madrid] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0613.jpg
  • Intérieur de la Cathédrale de Tolède Page [Interior of the Cathedral of Toledo] illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0533.jpg
  • La Puerta del Sol (Toléde) [Puerta del Sol (Gate of the Sun) Toledo]Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0529.jpg
  • Ruines du théatre antique de Mérida [Ruins of the ancient theater of Merida] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0511.jpg
  • Mendiants a Madridejos [Beggars in Madridejos] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0502.jpg
  • Arrivée d'une diligence dans une hotellerie de la Manche (Santa Cruz de Mudela) [Arrival of a stage coach at a hotel in La Mancha (Santa Cruz de Mudela)] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0489.jpg
  • Le défilé du Despeñaperros dans la Sierra Morena (coté de la Manche) [Despenaperros Gorge, in the Sierra Morena (la Manche side)] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0481.jpg
  • Défilé du Despeñaperros, dans la Sierra Morena [Despenaperros Gorge, in the Sierra Morena] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0477.jpg
  • Gitana dansant le vito sevillano (environs de Séville) [Gypsy woman dancing the vito sevillano (near Seville)] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0400.jpg
  • Gitana dansant dans un patio de Séville [Gypsy dancing in a patio in Seville] Page illustration from the book 'Spain' [L'Espagne] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0404.jpg
  • Paysans andalous se rendant a la Feria de Séville [Andalusian peasants going to the Seville Fair] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0348.jpg
  • Arcade moresque, a l'Alcazar de Séville [Moorish arcade, in the Alcazar of Seville] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0330.jpg
  • Intérieur de la Cathédrale de Séville [Interior of the Cathedral of Seville] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0322.jpg
  • Arcos de la Frontera is a town and municipality in the Sierra de Cádiz comarca, province of Cádiz, in Andalusia, Spain. It is located on the Northern, Western and Southern banks of the Guadalete river, which flows around three sides of the city under towering vertical cliffs Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0294.jpg
  • Rocher de Gibraltar [Rock of Gibraltar] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0286.jpg
  • Contrebandier de Ronda et sa maja [Ronda smuggler and his woman] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0278.jpg
  • Le Barranco de Poqueira, Dans les Alpujarras [Barranco de Poqueira, In the Alpujarras] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0248.jpg
  • Un Famille de Mendiants a Jaen [A Family of Beggars in Jaen] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0244.jpg
  • Un Relai a Jaen [Passing through Jaen] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0240.jpg
  • Le Puerto de Arenas (Route de Grenade a Jaen) [Puerto de Arenas (Route from Granada to Jaen)] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0236.jpg
  • Le Panderon dans la Sierra Nevada [The Panderon in the Sierra Nevada, Spain] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0230.jpg
  • Les Bords du Darro [The banks of the Darro River Granada, Andalusia, Spain] Page illustration from the book 'L'Espagne' [Spain] by Davillier, Jean Charles, barón, 1823-1883; Doré, Gustave, 1832-1883; Published in Paris, France by Libreria Hachette, in 1874
    IR_Spain-ax184_0208.jpg
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