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  • Classical music poster - Paganini music Photographed in Budapest, Hungary
    VA_Budapest_138.jpg
  • Digitally enhanced image of a female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75363_Texture.jpg
  • Digitally enhanced image of a female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75363_Texture-2.jpg
  • Digitally enhanced image of a female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75363_fairy.jpg
  • 19th Century illustration of Steam Engines. Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0931.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0904.jpg
  • Mechanical cranes Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0804.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0761.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0721.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0923.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0899.jpg
  • Pumps, siphons and liquids Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0869.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0810.jpg
  • Mechanical Jacks Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0807.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0801.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0774.jpg
  • Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0717.jpg
  • Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart,[b] was a prolific and influential composer of the Classical period. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XVI;  Edited by Wilkes, John. Published in London in 1819
    IR_f_Vol16_0180.jpg
  • Carlo Maratta or Maratti (13 May 1625 – 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0385.jpg
  • An initial S, illuminated with foliage of the Northumbrian type, from a German manuscript of the twelfth century From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0189-crop.jpg
  • Scene of the martyrdom of Saint Benedicta from a Martyrology of about 1312 From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0162-crop.jpg
  • Painting on panel by a fifteenth century artist of the Prague school; it represents St Augustine as an Episcopal scribe. The background and the ornaments of the dress are stamped in delicate relief on the gesso ground and then gilt. This picture, which is now in the Vienna Gallery, was originally part of the painted wall-panelling in the Chapel of the Castle of Karlstein. From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0018-crop.jpg
  • Frontispiece Illustrating Conchology. Neptune, As The Sovereign Of The Ocean, Approaching The Land In His Chariot, Constructed Of A Chama Shell, Drawn By Sea-Horses; Attended By Mermaids Employed In Bringing Up Shells From The Bottom Of The Sea. In Front A Merman, Blowing The Conch Trumpet, Famed, In The Ancient Hindoo Ceremonials, For Driving Away Evil Demons, And Assembling Their Protecting Genii; As Well As For Sounding The Call To Arms, And The Triumph Of Victory. It Is The Murex Tritonis Of Linnaeus. On The Shore, Two Of The Nereides, Attendants On Neptune, In Their Classical Character. Delineated With Silvery White Vestments, And Heads Bound Round With Fuci, Or Sea- Weed; Sheltered In A Grotto, Beneath Impending Rocks, And Busied In Assorting Beads And Festoons From The Minuter Shells. In The Fore -Ground, A Group Of Selected Shells, Emblematical Of The Choice Arrangement Required To Form A Cabinet Of Conchology. hand coloured Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume V;  Edited by Wilkes, John. Published in London in 1810
    IR_f_Londinensis_V_0004.jpg
  • Bucharest Romania decaying classical style building
    VA_Bucharest_DSC01390.jpg
  • Female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75260_Texture-2.jpg
  • Female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75260_Texture-1.jpg
  • Miniature of Duke Baldwin, painted about the year 1450 by an illuminator of the school of the Van Eycks of Bruges From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0204.jpg
  • Miniature of the Annunciation from a German manuscript of the beginning of the thirteenth century From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0190-crop.jpg
  • Miniature representing King Conrad of Bohemia, with an attendant, hawking; from a manuscript of the fourteenth century, showing the influence of French art. From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0160-crop.jpg
  • Miniature of the Evangelist St Mark; from a manuscript of the Gospels From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0107.jpg
  • Miniature from a Byzantine manuscript of the eleventh century ; a remarkable example of artistic decadence From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0090-crop.jpg
  • A Pompeian painting of Hellenic style, as an example of Greek drawing and composition From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0071-crop.jpg
  • Frontispiece Illustrating Conchology. Neptune, As The Sovereign Of The Ocean, Approaching The Land In His Chariot, Constructed Of A Chama Shell, Drawn By Sea-Horses; Attended By Mermaids Employed In Bringing Up Shells From The Bottom Of The Sea. In Front A Merman, Blowing The Conch Trumpet, Famed, In The Ancient Hindoo Ceremonials, For Driving Away Evil Demons, And Assembling Their Protecting Genii; As Well As For Sounding The Call To Arms, And The Triumph Of Victory. It Is The Murex Tritonis Of Linnaeus. On The Shore, Two Of The Nereides, Attendants On Neptune, In Their Classical Character. Delineated With Silvery White Vestments, And Heads Bound Round With Fuci, Or Sea- Weed; Sheltered In A Grotto, Beneath Impending Rocks, And Busied In Assorting Beads And Festoons From The Minuter Shells. In The Fore -Ground, A Group Of Selected Shells, Emblematical Of The Choice Arrangement Required To Form A Cabinet Of Conchology. hand coloured Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume V;  Edited by Wilkes, John. Published in London in 1810
    IR_f_Londinensis_V_0004-crop.jpg
  • André-Marie Ampère (20 January 1775 – 10 June 1836) was a French physicist and mathematician who was one of the founders of the science of classical electromagnetism, which he referred to as "electrodynamics". He is also the inventor of numerous applications, such as the solenoid (a term coined by him) and the electrical telegraph. An autodidact, Ampère was a member of the French Academy of Sciences and professor at the École polytechnique and the Collège de France. The SI unit of measurement of electric current, the ampere, is named after him. His name is also one of the 72 names inscribed on the Eiffel Tower. From the Book Les merveilles de la science, ou Description populaire des inventions modernes [The Wonders of Science, or Popular Description of Modern Inventions] by Figuier, Louis, 1819-1894 Published in Paris 1867
    IR_f_b21496626_0497.jpg
  • Exterior of a classical building in Rua de Sao Bento, Lisbon, Portugal
    IR_Lisbon_E6850.jpg
  • Bucharest Romania decaying classical style building
    VA_Bucharest_DSC01392.jpg
  • Female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75260_warfighter.jpg
  • Female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75260_collage.jpg
  • Female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75260_Plasma-2.jpg
  • Female Ballet Dancer balances on her tows in a classical ballet stance
    IR_f_75260_Artist-1.jpg
  • Daimler DE27 Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01528.JPG
  • Daimler DE27 Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01497.JPG
  • Jaguar XK Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01493.JPG
  • Daimler DE27 Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01490.JPG
  • Daimler DE27 Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01489.JPG
  • Daimler DE27 Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01499.jpg
  • Daimler DE27 Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01492.jpg
  • Daimler DE27 Classic car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01533.JPG
  • classic 40's black Plymouth
    AP_Plymouth_3730.jpg
  • Classic style statue at Haus des Meeres Aqua Terra Zoo square, Vienna, Austria
    IR_f_Vienna_E3992.jpg
  • Classic style statue at Haus des Meeres Aqua Terra Zoo square, Vienna, Austria
    IR_f_Vienna_E3991.jpg
  • Classic style statue at Haus des Meeres Aqua Terra Zoo square, Vienna, Austria
    IR_f_Vienna_E3990.jpg
  • classic American art from Lego building blocks at the Holon Children's museum. Holon, Israel
    AH_Children-Museum_02983.jpg
  • classic American art from Lego building blocks at the Holon Children's museum. Holon, Israel
    AH_Children-Museum_02981.jpg
  • Classic portrait bas relief Photographed in Athens
    VA_m_Athens_02438.jpg
  • Classic style statue at Haus des Meeres Aqua Terra Zoo square, Vienna, Austria
    IR_f_Vienna_E3993.jpg
  • Entrance to the neo-classical Courthouse building (designed by Professor C. F. Hansen) at Nytorv in Copenhagen, Denmark.
    IL_D70_101477-2.jpg
  • Home made car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01487.JPG
  • Home made car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01485.JPG
  • Home made car on display at the start of the Riga to Mykonos Gumball 3000 Rally, Riga, Latvia
    VA_Riga_01486.JPG
  • classic Skoda superb 913 (1938) on display
    AP_Classic-Car_9929.jpg
  • classic Skoda superb 913 (1938) on display
    AP_Classic-Car_0027.jpg
  • Classic white Jaguar MK2 Saloon
    AD_Classic-car_1028.jpg
  • Green MG 1946 classic British sports car
    VA_Vintage-Car_02254.jpg
  • Green MG 1946 classic British sports car
    VA_Vintage-Car_02249.jpg
  • Green MG 1946 classic British sports car
    VA_Vintage-Car_02246.jpg
  • classic 40's Plymouth convertible
    AP_Vintage-Car_3646.jpg
  • Green MGA sports car side view
    AD_Classic-car_9562.jpg
  • Green, MGA sports car front view
    AD_Classic-car_9554.jpg
  • Jaguar Coupe
    AD_Classic-car_9551.jpg
  • White bMGA sports car front view
    AD_Classic-car_9550.jpg
  • Fiat sport car front view
    AD_Classic-car_3712.jpg
  • Lancia Fulvia S Sport car front view
    AD_Classic-car_3707.jpg
  • classic car Peugeot 404 onboard the cars and passengers ferry between Sao Jacinto and Barra in Ria de Aveiro, Portugal.
    IR_Sao-Jacinto_E5378.jpg
  • Tomb of Aaron, Summit of Mount Horeb, Sinai Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-93.jpg
  • Fountain of Job, Valley of Hinnom, Jerusalem Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-83.jpg
  • Jerusalem, Mosque of Omar on the ancient site of the Temple 1839 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-142.jpg
  • Triumphal Arch Crossing the Ravine Leading to Petra 1839 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-109.jpg
  • Citadel of Sidon, Lebanon Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-105.jpg
  • Luxor 1846 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_2012-192.jpg
  • The Citadel of Cairo, Residence of Mehemet Ali 1849 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_2012-170.jpg
  • Boats on the Nile 1847 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_2012-168.jpg
  • Pyramids of Geezeh 1848 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_2012-155.jpg
  • Edfu (Idfu), Egypt 1846 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_2012-152.jpg
  • General view of Jerusalem as seen from the South Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-95.jpg
  • Convent of the Terra-Santa, Nazareth Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-94.jpg
  • The village of Bethany Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-89.jpg
  • Gate of Damascus, Jerusalem
    IR_David-Roberts_1927-88.jpg
  • Sea of Galilee looking Towards Bashan Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-85.jpg
  • Jaffa, Looking North 1839 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-84.jpg
  • Ruins of the Eastern Portico of the Temple of Baalbec (Baalbek) Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-82.jpg
  • City of Tiberias on the Sea of Galilee, looking towards Mount Hermon Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-80.jpg
  • Petra, Lower End of the Valley, Viewing the Acropolis Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-79.jpg
  • Coast of Syria 1839 Watercolor painting by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-77.jpg
  • Quay at Suez, Egypt 1839 Watercolor painting by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-76.jpg
  • El Deir Petra 1839 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-141.jpg
  • Hebron (al-KhalÄ«l) 1839 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-140.jpg
  • Nablus Ancient Shechem 1839 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-139.jpg
  • Sur or Tsor, Ancient Tyre from the Isthmus Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-135.jpg
  • Bethlehem 1839 Color lithograph by David Roberts (1796-1864). An engraving reprint by Louis Haghe was published in a the book 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_David-Roberts_1927-131.jpg
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